The crux of my practice is to visually investigate the human condition and its conundrums: sculpted body parts and glass internal organs function as powerful signifiers for different psychological, emotional, and physical afflictions.
I explore the vastly complex notion of beauty – both aesthetically and conceptually – by combining a wealth of materials and techniques. A strong sense of the relationship between what can potentially be described as beautiful and the brutality of existence is thus deeply infused in my work.
Dadaesque interventions on Old Masters and ‘ready-mades’ articulate thoughts on social values, tensions, and injustice, and also consider the construction of history and traditions. Human anatomy, Greek mythology, Christian narratives and iconography, medicine, and Classical ideals and sculpture continue to inform my meticulous visual and theoretical vocabularies.
Cohesion between form and idea is consciously pursued or challenged, and charges my work with affecting connotations: as multiple layers of meaning unfold, the contingency of visual dialogues between crafted matter, abstract concepts, and ontological preoccupations crystallise. ©
January 2021: Due to Tier 3 restrictions it has not been possible for the RWA 168th Annual Open Exhibition to open to the public yet. Thank you all for being understanding. To view/purchase works online, please visit:
October 2020: I am delighted my sculpture 'Achlys at the Heart of Ambiguity' has been selected for the RWA 168th Annual Open Exhibition. 25 November 2020 - 7 March 2021.
August 2020: I am pleased to announce that 'Minotaurs of the Mind - Ontological Thresholds' has been selected for Taboo - Transgression -Transcendence in Art and Science. The conference will hosted by the University of Applied Arts Vienna, and will take place online. 26-28 November.
May 2020: I am delighted to share the news that I have been awarded an Arts Council England Emergency Response Grant. I kindly thank the ACE for their support during the Covid-19 crisis.